What Is an Augmented-Major 7th Chord?

An augmented-major 7th chord is an augmented triad with a major 7th added above the root. It combines the floating, eerie quality of an augmented triad with the luminous shimmer of a major 7th — creating one of the most distinctive and unusual sounds in harmony.

Written as Cmaj7#5, this chord appears naturally on the III degree of the melodic minor scale, making it a key colour in jazz minor harmony.

How to Build an Augmented-Major 7th Chord

Formula

Root + Major 3rd + Augmented 5th + Major 7th

Semitones: 0 — 4 — 8 — 11

Example: C Augmented-Major 7th

vs. Major 7th: Cmaj7 = C E G B. Cmaj7#5 = C E G# B. The raised 5th is the only difference — but it dramatically changes the flavour from dreamy to ethereal and unmoored.

All 12 Augmented-Major 7th Chords

ChordRootMajor 3rdAug. 5thMajor 7th
Cmaj7#5CEG#B
Gmaj7#5GBD#F#
Dmaj7#5DF#A#C#
Amaj7#5AC#E#G#
Emaj7#5EG#B#D#
Bmaj7#5BD#FxA#
F#maj7#5F#A#CxE#
Fmaj7#5FAC#E
B♭maj7#5B♭DF#A
E♭maj7#5E♭GBD
A♭maj7#5A♭CEG
D♭maj7#5D♭FAC

The Sound of an Augmented-Major 7th Chord

Ethereal, luminous, floating, otherworldly, tense but beautiful.

This chord sounds like a major 7th chord that has lost its gravitational anchor. The augmented 5th pulls the top of the chord upward while the major 7th adds shimmer. The result is a chord that sounds suspended between worlds — beautiful but unsettled.

You hear this sound in impressionist music (Ravel, Debussy), in post-bop jazz, and in contemporary film scoring when composers want something luminous but uncertain.

Augmented-Major 7th in Melodic Minor

The augmented-major 7th appears naturally on the III degree of the melodic minor scale:

C Melodic Minor scale: C D E♭ F G A B

III chord: E♭ G B D = E♭maj7#5 (augmented-major 7th)

Jazz players use this in minor key harmony for its distinctive colour.

How to Use Augmented-Major 7th Chords

1. As a colour chord: Use Cmaj7#5 in place of Cmaj7 for a more ethereal, impressionistic quality.

2. In melodic minor harmony: Jazz musicians use this chord as the IIImaj7#5 in minor key progressions.

3. In impressionist music: This chord fits naturally in Ravel/Debussy-style writing where ambiguous, floating harmonies are the goal.

4. As a transition: Move from Cmaj7 to Cmaj7#5 by raising the 5th a semitone — creates a subtle upward motion within a static chord.

Free: Chord Ear Training Cheat Sheet

Train your ear to distinguish the ethereal quality of the augmented-major 7th from standard major 7th chords.

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